Xingyi Quan or the form and meaning Chuan is also 
called Xinyi Quan (free-mind Chuan), Xinyi Liuhe Quan (free-mind six-combination 
Chuan)* or liuhe Quan (six-combination Chuan). There are two propositions about 
the name of this school of Chuan. One holds that the body actions and movements 
should be guided by Mind and that this school of Chuan is an identity of mind 
and body; the other proposition states that this school of exercises are mere 
imitations of animal actions and movements and adopted the form and meaning of 
animal movements. According to historical records, the creator of 
Xingyi Quan was Ji Jike (1602-1683) from Village Zuncun in Yongji County in 
Shanxi Province. A resident of the late Ming Dynasty and early Qing Dynasty, Ji 
Jike was also known as Ji Longfeng. On his trip south to the Shaolin Temple and 
Luoyang in Henan Province and Qiupu in Anhui Province, Ji Jike passed his art on 
to Zeng Jiwu. During the reign of Emperor Qianlong of the Qing Dynasty, Xingyi 
Quan was spread in Henan, Hebei and Shanxi provinces. Ma Xueli, a Luoyang 
resident in He-nan, Dai Longbang, a resident of Qixian in Shanxi, and Li 
Luoneng, Dai's disciple from Hebei, all contributed to the dissemination and 
development of the Chuan. Over centuries, this school of Chuan is now practised 
in different styles. The Shanxi style is compact, delicate and yet forceful 
while the Henan style is powerful, vigorous and substantial. The Hebei style 
stresses steadiness, stur-dihess and comfort. As regards routines of fist fight, 
a similarity is seen between the Shanxi style and the Hebei style, both using 
three postures of the body, five major movements of axing, bursting, 
penetrating, hurling and traversing and imitations of 12 animal forms (dragon, 
tiger, monkey, horse, turtle, chicken, hawk, swallow, snake, owl, eagle and 
bear. The Henan style mainly imitates 10 animal forms (dragon, tiger, chicken, 
eagle, snake, horse, cat, monkey, hawk and swallow).
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